Background to Patchwork shoes

At the recent Thames Valley Contemporary Textiles meeting in September, we were lucky to have a demonstration of cyanotype (blueprint) by Barbara Gunter-Jones. Very appropriately, I can now share the work in progress images of Sheila Dunscombe's patchwork shoes which very effectively used this technique. This piece and the rest will be on show to the public again from Wednesday 19 September to Friday 26 October 2012 at the National Needlework Archive in Newbury.

This is the Slough Museum Handling collection box which inspired Sheila. It is a box of Victorian Dolls Clothes, including dresses, a corset and shoes. This was the most popular inspiration from the Handling Collection as it inspired Sheila, Sandy Snowden and Chris Day. A close up of the shoes is below.

These immediately gave Sheila a focus on shoes, as she remembered her great-grandmother's hand-sewn doll's shoes

Sheila also decided to use her Great Grandmother's patchwork coverlet and doilies, in the work. (above)

Digital negatives were made of a family group photo and Sheila's photo of the coverlet, here placed on treated fabric for making a cyanotype/'sun-print'.

 This is the preferred print with doilies, though rather dark

 

To highlight Alice and Sheila's grandfather she added a cut-out from what she originally thought was a poor print, but which is in fact exposed much better for the image.

Sheila notes that: "Incidentally - the reason I thought the 'cutout' print poor was because its left-hand third was very pale, due to an uneven treatment of the fabric. So I used the 'good' bit! A similar but lesser fault can actually be seen down left side of the dark/doily print used (later disguised with long fabric strip of bow). I do think it's strange how the two left figures only show up clearly in flash photos, not 'in the flesh'!"

The pattern for the 3-dimensional part of the design was based on Sheila's daughters first shoe. I love the way the connections in this piece go through five generations of her family from Sheila's Great Grandmother down to her daughter. It was made using patchwork cyanotype, polyester sateen-backed 'suede', and knitted copper-wire tubing.

A pin cushion was made to go inside the shoe. It was stuffed with gathered sheep's wool.

 Finally here is Sheila stitching the piece on to a canvas panel, and the finished work. A small bow is now on insole/heel, with embroidered initials "A H" (Alice Hanks). The "A" on pincushion echoes old pin-messages, using applique pins.

 

Thank you Sheila for sharing these photographs!

Lots going on ...

A selection of work is currently on display to 1000+ pupils at Langley Academy. The Academy has a special focus of Museum Learning and has links with Slough Museum which meant they were very excited to be able to show some of the Whatever floats your boat ... work in their gallery space. The Academy also has students that are studying textile art and Suzie Parr said that these students will be particularly interested to see the work of our artists.

Then we will be working towards a bigger and better show of work at the National Needlework Archive in September. We are keen to encourage people who haven't already participated to think about creating something for the exhibition, and encourage those who have to develop their work in some way and create companion pieces that further explore the inspirations or techniques used already.

Inspire Mark extended!

With the good news that the exhibition will be touring to the National Needlework Archive in Newbury in the autumn, I'm pleased to say that our 'Inspire Mark' award has been extended to the end of 2012. So pat yourselves on the back - we are well and truly part of the Cultural Olympiad of 2012.
The project will also continue to inspire young people because a selection of work will be going to Langley Academy for use as inspiration for art and art textiles students.

Quick photos of the work on view in Bracknell

Because most of the time the exhibition will be 'view through window only' we tried to put small things in the window so they had as much chance to be seen as the larger wall pieces. Already whilst hanging it we had people asking when it would open, and stopping to look closely at the small works.

We are now showing at Gallery@49, Bracknell

See a selection of pieces at the recently opened Gallery@49, on the corner of Crossway and Broadway in Bracknell town centre. View at any time through the big windows, or come in and chat to one of us during 'doors open' on every Friday and Saturday between 2nd and 17th December, from 11am to 3pm. For more information see: http://www.reorsa.org/ (organisers of Gallery@49)

Review

A couple weeks ago I got a cryptic email from Jane which prompted me to open my issue of the Quilter straight away instead of saving it for during lunchtime.

A great review by Lois Bellew of the Exhibition at the Slough Museum. Very special comments.

That was a lovely surprise.

Also, the dates for one of the next outings for the exhibition is at the end of the article.
It will be at the National Needlework Archive, Old Textile Centre, Newbury, Berkshire 19 September to 26 October, 2012.

We have also been asked for some of the pieces to go to Langley Academy which has connections with the Museum. The chosen pieces will go on display alongside the Museum Artefact which inspired it.

AND...the newly opened Bracknell Gallery has asked us to show some of the work in their gallery space. We are in the process of working it out, but it will probably be 3 weeks from the last week in November this year - 2011.
So, it goes on with a life of it's own!

Positive feedback ...

Shortly after the exhibition came down, Annie Hamilton gave me her thoughts about the exhibition:
"... how very apt her [Heather Brand's] work was in the middle of the window at Slough museum - as a Slough resident I thought her piece [Follow the Sun] captured the essence of the place beautifully and I recognised the design straight away as I walk over the original each week! Also, to Mary [Parry], her quilt [Trading Estate] was much admired by myself and other residents with artistic bents as an excellent portrait of our trading eatate! Loved all the work in the show actually and am proud to be part of TVCQ."

Then I was delighted to receive a thank you letter from Councillor Mrs. Gill Birch, Bracknell Town Mayor, who attended our Private View: "I was delighted to meet you and see the lovely textile work your group has achieved, congratulations on being granted the Inspire Mark and I hope this brings more recognition to your group in future projects."

Slideshow link for exhibition images

I've embedded a slideshow of the images from the exhibition, follow this link and take a look at the gallery! Thanks to me, Nigel Bird, and Mike Woodman for the photographs. I think there should be photographs of everyone's work. If I have missed anyone by mistake, send me your own photos and I'll add them. Thanks, Jane

Private view - 4th June 2011

The final event for the Museum before it closes this venue, was our Private View. The party was combined between celebrating ourselves and our work, and thanking the volunteers of the Museum and the work that they put in to the collections. It was very sad to think that the Museum was closing, but I think we gave it a fantastic send off. We look forward to hearing news of the reopening at Slough Library.

It was a very appropriate finale. We had many lovely comments that the Museum volunteers liked the work on display because it was based on interpretations of Slough and the Museum - it was particularly relevant to them as people who live and/or work in Slough and they felt that we had really done the subject justice.

It was great to have a busy and lively event that was also recognised by the Mayor of Bracknell Town, Councillor Gill Birch. She had met our group during one of our meetings in the community centre in Bracknell and was really interested in what we were doing, so we were delighted to be able to show her the end result.

The Curator, Eleanor Pulfer talking to visitors. We owe Eleanor many thanks for giving us the opportunity to do this project, and supporting us throughout.

Thank you to Nigel Bird for the photographs. Nigel did a fantastic job of capturing the event for us.

Preview the catalogue

Open publication - Free publishing - More embroidery

Click on the pages to enlarge to a readable version.
We'll hope to add images to this catalogue at a later stage.

Family drop-in workshops

Wednesday 1st and Thursday 2nd June
11.30am - 1.30pm at the Museum

Come and see what we're doing with fabric and textiles, play and experiment!
All ages. Drop in workshops for children with accompanying adult. First come, first served.

Installation day in pictures

Saturday - the big reveal. Lots of exciting unwrapping. Then a sense of nervousness as I wonder how we're going to pull this off and get an exhibition together in 2 days!

Tuesday - Everything unloaded at the Museum and spread out on the floor. We worked from a rough strategy planned by Delia, Sandy and Merete at the end of the day on Saturday. A few changes were made but it was really helpful to have a starting point.

Disappearing up a ladder. Having a husband who is 6'4" has its uses.

 Bottoms up! We discover the only way to move the perspex plinths around without dismantling first. (Thank you to Annie for the loan of the plinths - they were invaluable and look great.)

Lunch break. Luckily Vicki remembered we had to eat and got sandwiches all round from the bakers.

  Finishing touches. Everything is up and labelled, but we were worried the angel wings might fly off the wall. Finally, satisfied that enough blu-tack had been applied, we surveyed our efforts and headed for home.

Many thanks to Sandy, Vicki, Jane O'S. Great team work, lots of creative ideas, hard work, custard creams and tea got us through. We did it! Come to the Private View event on Saturday 4th June, 2-4pm. 

The big reveal

Today everyone brought their submissions to the meeting. Wow! What a variety in so many ways. There were big pieces, tiny pieces. Big 3-d and tiny 3-d. Lots of quilts and lots of other things. Colourful pieces and muted pieces. Etherial pieces and solid pieces.
A huge range of techniques were on display - hand stitching, machine stitching, painting, printing, cyanotype, trapunto, applique, patchwork piecing goldwork,silk paper, and many more ...
And the work represented a very wide range of inspirations too - from mammoths to power stations, and dolls shoes to comets. Pictures will follow in due course.

Doll Corset - Structure and base

Blogger has been down for a few days, so just a quick posting of covering the base of the structure

corner

bottom

top - with pins to remember where the holes are.

and how it looks complete... At this point I hadn't sewn round the top to keep the dowels in, nor stitched the back opening closed. I am also gluing the dowels into the base.

This photo shows how the light shines out from underneath a bit like a lampshade.

Looks like it may find a permanent home in the end in my lounge as it goes very well with our new furniture!

Looking forward to seeing all the work tomorrow.

Doll Corset - Structure

I have finally been able to get to the structure of the large doll corset.I am using 6mm dowels in the main boning channels. This is sort of a reference to the reed boning used in one of the doll's corsets from the SLough Museum. The dowels are sticking out at the bottom and are stuck into a large piece of upholstry foam.

Here are views of how they will be stuck in.

I had to go back to the DIY shop for one more dowel to get enough to have the support I wanted. A few channels I had made a bit too narrow with the hand stitching, so I had to remove a bit of the stitch. So, I just have a few places where I need to go back in and sort it.

One good reason for using photos for your work is that it helps you step back, so to speak. I had it arranged in what I thought was a good shape, but when I looked at the first photo, I realised I really wanted it straight in front. So, I will use a few kebab sticks to push it forward.
More photos of the new arrangement.

And a photo of the detail of the support sticks, which I am quite pleased with. A surprising aspect of the support I hadn't considered.

I plan to cover the base with more of the cream muslin, but also some burlap mesh, which you can see laying next to the base.